From IMDb:
Teenagers Reg, Skip, Julie and Pam go out for an afternoon of water skiing on a nice day. They come ashore on an island that is being used as a testing center for a scientist and agents from “an eastern power.” They seek to turn the people of the United States into easily controlled zombie like creatures. The agents steal Reg’s boat, stranding the teens on the island. The four friends are then held captive in cages able only to speculate on their fate. Though they have already been testing the formula on convicts and drunks, the enemy scientist and agents plan to conduct final tests on the teens before they use it on the rest of America. Meanwhile, two of their friends, whom the captives had planned to meet later, search for their missing friends. After a series of suspicious encounters, they urge the corrupt sheriff to search the island where their friends are trapped.
Notorious film from early exploitation king Dwain Esper, who brought us such classic early titles as “Sex Madness,” “Narcotic,” “Reefer Madness,” “How To Undress In Front Of Your Husband,” and “Marihuana.” Film’s IMDb page: http://www.imdb.com/title/tt0025465/
Stan Medley presents SUDDENLY -”Three gunmen, who have been hired to assassinate the President, hold a family hostage while waiting for their target. Interesting B film which focuses on psychopathic killer well-portrayed against type by Frank Sinatra.” - noir expert Spencer Selby |
Cast: Frank Sinatra, Sterling Hayden, James Gleason, Nancy Gates.
77 min.
Director: Lewis Allen Production Company: Libra Productions Inc.
Audio/Visual: sound, b&w
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Stan Medley presents Reefer Madness(1938). Considered THE archetypal sensationalized anti-drug movie, but it’s really an exploitation film made to capitalize on the hot taboo subject of marijuana use. Like many exploitation films of the time, “Reefer Madness” tried to make a quick buck off of a forbidden subject while skirting the Motion Picture Production Code of 1930. The Code forbade the portrayal of immoral acts like drug use. (The illegal drug traffic must not be portrayed in such a way as to stimulate curiosity concerning the use of, or traffic in, such drugs; nor shall scenes be approved which show the use of illegal drugs, or their effects, in detail.)
The film toured around the country for many years - often being re-edited and re-titled (”Tell Your Children”, “Dope Addict”, “Doped Youth”, “Love Madness”, “The Burning Question”). It was re-discovered in the early 1970s by NORML (National Organization for the Reform of Marijuana Laws) and screened again as an example of the government’s demonization of marijuana. NORML may have been confused about the film’s sponsorship since one of the film’s distributors, Dwain Esper, testified to the Arizona Supreme Court that “Reefer Madness” was not a trashy exploitation film but was actually sponsored by the U.S. Government - a convincing lie, but a lie nonetheless.
That being said, the film is still quick enjoyable since it dramatizes the “violent narcotic’s … soul destroying” effects on unwary teens, and their hedonistic exploits enroute to the bottom.
You can find more information regarding this film on its IMDb page.
Also, if you are interested in the rich, uniquely American history of exploitation films, there are two excellent books on the subject:
“Forbidden Fruit - The Golden Age of the Exploitation Film”, Felicia Feaster and Bret Wood, Midnight Marquee Press, 1999.
“Bold! Daring! Shocking! True! A History of Exploitation Films, 1919 - 1959″ Eric Schaefer, Duke University Press, 1999.
Director: Louis J. Gasnier
Producer: George A. Hirliman
Production Company: G and H Production.
Audio/Visual: sound, b&w
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Stan Medley presents “Sex Madness (1938). This is a typical sex exploitation film from the 1930s - complete with wild parties, sex out of wedlock, lesbianism, etc. A chorus girl’s exposure to the “casting couch” also exposes her to syphilis. Exploitation filmmakers hoped to capitalize on the taboo subjects of venereal disease, sex before marriage, lesbianism, etc. while skirting the Motion Picture Production Code of 1930 which forbade a film from containing such content. Films like this would tour the United States for years - mostly being shown in rundown, skid row theaters. This film has been re-edited and re-titled (”Human Wreckage”, “They Must Be Told”, “Trial Marriage”, “About Trial Marriage”) many times to attract the same audience to film, to take advantage of a taboo subject which may have gotten press recently or to appease local censors who disapproved of the film’s content.
You can find more information regarding this film on its IMDb page.
Director: William Curran
Production Company: Cinema Service Corp.
Audio/Visual: sound, b&w
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